Essay --

By the end of 18th century, with the industrialization of steel and glass, computer architecture began to compress on a different role in the society. architecture was no longer close to building structures for an individual, but was about concerning with beauty, style, and esthetics deep down the technology of stead (Conway 8). The idea that building plus nontextual matter equals architecture was no longer valid, as the equation undermined the true kernel of architecture. In Understanding Architecture, Hazel Conway states, the allocation of living space is economically, socially, and culturally stubborn (6), when discussing the purpose of architecture. This means that the surrounding environment of the building, also referred to as construct space, is often intertwined with social relationships. Built space can be specify as the philosophical way of referring to architecture. To a certain extent, the architecture becomes about the philosophical investigation into built space, rather than establishing a atomic number 53 building. with the examples of guileists and architectures, such as Rachel Whiteread, Robert Smithson, Meis Van Der Rohe, and Gordon Matta-Clark, this paper lead face how art pushes architecture into critical examination of built space. In doing so, it will be evident that artists and architecture define sculpture, object, prototype, installation, network, building, assemblage, and/or habitat differently. An artist who dealt with technologies of built space is Rachel Whiteread. The issue concepts of Whitereads work holds, playing with negatively charged space and scale, and focusing on line and form. In the dapple called Judenplatz final solution memorialization a.k.a. Nameless Library, Whiteread uses sculpture to represent what is not there, the empty space. By... ...about recreating scale. When a psyche sees this piece from an airplane view or on a balcony, he or she will experience the massive quantity of the soppy temperament that has been produced. However, when a person sees this piece from a ground level, the 14,000 translucent, fair boxes retributive becomes a boring, common object. Depending on the location of the stunners presence, the piece symbolizes a different meaning. This piece is similar to the works of Tara Donavon, whose core concepts include playing with scale and working with multiplicity. She is known to use everyday house materials to create large-scale installations and sculptures. In the piece Styrofoam Cup Sculpture, Donavon glues absolute fall of Styrofoam cups together to create a synthetic material that challenges the viewers to have second thoughts about the basic functions of everyday material. quiz -- By the end of 18th century, with the industrialization of steel and glass, architecture began to take on a different role in the society. Architecture was no longer about building structures for an individual, but was about concerning with be auty, style, and aesthetics within the technology of space (Conway 8). The idea that building plus art equals architecture was no longer valid, as the equation undermined the true meaning of architecture. In Understanding Architecture, Hazel Conway states, the allocation of living space is economically, socially, and culturally determined (6), when discussing the purpose of architecture. This means that the surrounding environment of the building, also referred to as built space, is often intertwined with social relationships. Built space can be defined as the philosophical way of referring to architecture. To a certain extent, the architecture becomes about the philosophical investigation into built space, rather than establishing a single building. Through the examples of artists and architectures, such as Rachel Whiteread, Robert Smithson, Meis Van Der Rohe, and Gordon Matta-Clark, this paper will demonstrate how art pushes architecture into critical examination of built space. I n doing so, it will be evident that artists and architecture define sculpture, object, prototype, installation, network, building, assemblage, and/or habitat differently. An artist who dealt with technologies of built space is Rachel Whiteread. The core concepts of Whitereads work includes, playing with negative space and scale, and focusing on line and form. In the piece called Judenplatz Holocaust Memorial a.k.a. Nameless Library, Whiteread uses sculpture to represent what is not there, the empty space. By... ...about recreating scale. When a person sees this piece from an airplane view or on a balcony, he or she will experience the massive quantity of the artificial nature that has been produced. However, when a person sees this piece from a ground level, the 14,000 translucent, white boxes just becomes a boring, everyday object. Depending on the location of the viewers presence, the piece symbolizes a different meaning. This piece is similar to the works of Tara Donavon, whos e core concepts include playing with scale and working with multiplicity. She is known to use everyday household materials to create large-scale installations and sculptures. In the piece Styrofoam Cup Sculpture, Donavon glues countless amount of Styrofoam cups together to create a synthetic material that challenges the viewers to have second thoughts about the basic functions of everyday material.