Tuesday, October 15, 2019
RESEARCH ON YOUTH CULTURE MOST INVARIABLY TENDS TO ROMANTICISE OR Essay
RESEARCH ON YOUTH CULTURE MOST INVARIABLY TENDS TO ROMANTICISE OR OVER-POLITICISE INSTANCES OF YOUTHFUL RESISTANCE. DISCUSS WITH REFERENCE TO Thornton, S, C - Essay Example There is not one monolithic youth culture that defines all young people. Popular youth culture embraces a diversity of sub-cultures or ââ¬Å"tribesâ⬠such as skaters, druggies, snobs, band geeks, Satanists, Jesus freaks, techno-goths, computer dweebs, blacks, Latinos and white trash. Groups distinguish themselves by dress, style, music, body modification practices, race, ethnicity, and language. (Hines, 1999) Thus a researcher, who intends to study the ethnic, racial, political, cultural, sociological or linguistic aspect of a subculture, often ends up in analysing one of the factors and tend to romanticise or over-politicise these aspects. Subcultures were one of the major fields of inquiry at the Birmingham Centre for Contemporary Cultural Studies in the 1970s, and this overview will take as its starting point Resistance Through Rituals, the BCCCSââ¬â¢s 1976 collection of working papers on the subject. In the introduction, the authors acknowledge their debt to the interactionist sociological approach to deviant behaviour, and especially to Howard Beckerââ¬â¢s 1963 book Outsiders. Here, Beckerââ¬â¢s theoretical work on art worlds and on deviance intersect in the classic study of freelance dance band musicians, whose ââ¬Å"culture and way of life [were] sufficiently bizarre and unconventional for them to be labeled [sic] as outsiders by more conventional members of the communityâ⬠(Outsiders 79). Becker builds an intricate ethnographic analysis around the values encoded in the concept of ââ¬Å"hipnessâ⬠(as opposed to ââ¬Å"squareâ⬠society) and the way such values are made to operate tactica lly within the subculture. This study, published in 1963, is part of the corpus referred to by Gelder and Thornton as the ââ¬Å"Chicago schoolâ⬠whose themes (male urban opposition to ââ¬Ëmainstreamââ¬â¢ commercial and moral values) clearly prefigure the main preoccupations of the British cultural studies
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